ProAesthetics
Francesca Lanzavecchia has re-designed medical accessories, such as neck and back braces and managed to make them incredibly sexy.

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photo by Davide Farabegoli
Via elit alice.
Francesca Lanzavecchia has re-designed medical accessories, such as neck and back braces and managed to make them incredibly sexy.

.jpg)
photo by Davide Farabegoli
Via elit alice.
The latest issue of Intelligent Agent is built around the catalog for the “Social Fabrics” exhibition curated by Patrick Lichty and Susan Ryan. The free PDF will give readers a chance to see projects by a handful of forward-thinking artist/designers who not only design wearable art that marries textiles and technology, but also push fashion from the realm of pop culture into deeper social engagement. The resulting portfolios, interviews, and essays offer critical insight into the work and posit trend alerts for the future of media art.
Via rhizome.
The Ideal Man, fashion for real men, combines brightly coloured and extravagantly patterned eighteenth-century habits à la française with spectacular contemporary outfits from the latest collections of celebrated designers like Jean-Paul Gaultier, Vivienne Westwood, John Galliano, Bernhard Willhelm and Walter van Beirendonck. The evidence of the past and present reveals that men’s fashion is anything but boring.

Walter van Beirendonck, Sex Clowns Collection, 2008
The Ideal Man, fashion for real men, combines brightly coloured and extravagantly patterned eighteenth-century habits à la française with spectacular contemporary outfits from the latest collections of celebrated designers like Jean-Paul Gaultier, Vivienne Westwood, John Galliano, Bernhard Willhelm and Walter van Beirendonck. The evidence of the past and present reveals that men’s fashion is anything but boring.
For centuries, men’s appearance has been dictated by ever-changing fashion trends. It is striking how strongly men seem to identify with certain role models or use their attire to imitate an ideal image of manhood. So is male fashion perhaps a quest for the ideal man? Certain themes recur again and again: male fashions are sporty or rebellious, decadent, subject to military influence, or used to radiate power and authority. President Mitterrand of France was clearly well aware of its potential in the last respect, as witness the two tailored suits from his wardrobe that the museum recently acquired in Paris.
This exhibition uses over 150 outfits and accessories in a themed setting to cast light on the history of male fashion from the 17th century right through to the present day. Gallery after gallery, it unfolds the history of familiar forms of dress like the three-piece suit, the dinner jacket, sports attire and full-length trousers. Who today remembers that full-length trousers were once worn only by labourers and almost never by gentlemen? But perhaps the main focus of the exhibition is on the less currently conventional side of the male wardrobe: before the grey three-piece suit appeared, fashionable men tended to wear extravagant embroidery, vivid colours and exotic fabrics. Since the 1960s, such ebullience has reappeared on the fashion scene. Since then, even ‘real men’ have been able to flaunt an eye-catching, individual style.
At the Gemeentemuseum Den Haag, The Hague (NL) until 26-10-2008.
Via Design.nl.

Images Priscilla Bracks
Finally, We Hear One Another, by Kelly Jaclynn Andres, enables people to experience each other’s soundscapes. Collaborating with the Mixed Reality Lab, Kelly designed bonnet’s fitted with a speaker and an extra ‘ear’ - a cone at the back of the bonnet that funnels sound to a microphone embedded in the fabric. Signals are transmitted to a speaker in the bonnet of a partner user, via mobile telephone blue tooth.
5 textile designers from Central Saint Martins in London paired up with five Nobel prize-winning scientists for The Nobel Textiles project: a new exhibition, which explores the relationship between science and design, opening in September at the Institute of Contemporary Arts in London.
The result of an encounter between Carole Collet, course director of MA Design for Textile Futures at Central Saint Martins and Professor Amanda Fisher, director of the Medical Research Council’s Clinical Sciences Centre in Hammersmith, the exhibition will showcase textiles based on virus structures.
“We got on to the subject of how designers and scientists, in different ways, shape the way we live. We wanted to be able to explore the relationship between science and design, and create a dialogue between some of the brightest lights in both fields,” explains Fisher of the exhibition’s conception.
Nobel Textiles will be exhibited as part of London’s Design Festival at the Institute of Contemporary Arts from September 14 to 21. Via Vogue.