Reconfigurable Costume

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Leah Buechley’s reconfigurable costume consists of a torso piece and an assortment of sensing appendages that can be snapped to the torso. Sensors in the appendages include muscle flex sensors, accelerometers, bend sensors and touch sensors. Sensor data is relayed to a computer, via a bluetooth module embedded in the torso, where it can be used to control or generate music, video and other multimedia content.

The costume, built using her version 2.0 e-textile construction kit, is form-fitting and stretchy. The electronic modules are kept as small as possible so they do not interfere with the dancer. The costume was used in an improvisational performance in May, 2007 to control a player piano. This performance was a collaboration with Michael Theodore, a professor in the music department, and Nicole Predki, a graduate student in the dance department. Click here for a movie (150MB).

Carbon fibre shoe

As I was rummaging thru the database of dexigner, I found this shoe made from carbon fibre, a very strong material that can allow this heel design. Whether you can balance on a one-sided heel is another issue. More shoe designs can be found at Marloes ten Bhömer’s site and his page at dexigner.

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Call for Proposals: SIGGRAPH Unraveled 2007

As this year’s fashion event, SIGGRAPH will present a living exhibition of fashion, an event combining the fun and glamour of a runway show with the personal engagement of interactive installations. We are looking for fashion design which pushes the boundaries of technology — computational & conceptual couture & wearables, fashion with a social agenda concerning technology (although may not have embedded technology), and fashion produced using algorithmic fabrication or innovative manufacturing techniques. Because of the exhibition format, it will also be possible to show architectural textile installations, we are also open to submissions in this category.

Like last year, the event will be combined with the chapters party (3000+ tech savvy people in the audience). Here’s how it will work: early on in the party, we will announce and present the designers as they enter with models wearing their garments, kind of an informal runway entrance to let the audience know what work is present. The designer/models pairs will then join the party and interact with attendees, showing and discussing their works, possibly even letting the the attendees try the works on, or if the pieces are too fragile, they can be placed on mannequins; the format and degree of interactivity will be up to the designers. We hope that this format will allow attendees a better way to experience the pieces up close, giving them a chance to understand their depth– in concept, construction or technical means– something that can be lost in a traditional runway setting. However, this presentation method still allows the pieces to be shown in action and ‘embodied’ with live models.

As part of the show, we will be producing a high quality printed catalog which will serve as program for the show and as take away documentation after the show (all designers will receive free copies). The event will also feature professional photography and videography (available for use royalty free after the show) and professional models.

Submitted works should be functional (not concept projects) and able to be withstand some level of demonstration by the time of the show. Designers (or a representative) are expected to appear in person to present their work.

Please submit:

———————-

Title of work

Names and email addresses of designers

Brief description (not to exceed one page, one paragraph is fine)

Photos (if available, if not, a sketch),

Video (if available)

Method of Display preferred for party interaction (worn by model, worn by designer, static on mannequin, tried on by audience, etc, can be changed and negotiated closer to event)

Please email your submission as a single PDF (photos embedded) to: amanda@media.mit.edu

(does not need to be ACM formatted)

Video can be sent separately or it can be viewed by us on a website, send the URL

Submission Deadline: June 15, midnight PST

The submissions will be committee reviewed and you will receive a notification by July 1 (at the latest).

You may also email with questions before the submission deadline.

SIGGRAPH 2007 will take place in San Diego, CA from August 5-9 2007 (Unraveled event will occur on either Aug 6 or 8, TBD)

For more information about the conference visit:

www.siggraph.org/s2007

SIGGRAPH: the premiere international conference on computer graphics and interactive techniques

Amanda Parkes

Research Assistant/PhD candidate

Tangible Media Group

MIT Media Lab

20 Ames St E15-350

Cambridge, MA 02139

http://tangible.media.mit.edu

Nanotube textile could make super-light armour

A lightweight material made from carbon nanotubes that is stronger than steel, and conducts almost as well as aluminium, has been unveiled by a start-up company in the US. The material could lead to lighter bulletproof clothing, wiring for aircraft and more efficient power-transmission lines, the company claims.

Researchers have long known that carbon nanotubes have extraordinary strength, transmit heat well and can act as semiconductors, depending on the method of construction. But these properties are of limited value in individual tubes and making bulk material with the same properties has not proved easy.

Now Nanocomp, a start-up based in New Hampshire, US, has figured out a way round the problem - announcing the development on Wednesday at Nanotech 2007, a conference in Santa Clara, US.

Longer tubes

“The trick is that our nanotubes are much longer than usual - millimetres in length rather than micrometres,” says Peter Antoinette, who heads the company.

Antoinette says that using longer nanotubes allows them to bind together more effectively. Although Nanocomp has not revealed precise details of its manufacturing process, it has disclosed that the tubes are made through chemical vapour deposition, which involves condensing carbon out of a gas.

The resulting nanotubes form a kind of unwoven matting, which is treated chemically so that the tubes are aligned, giving the material has extra strength in the direction of alignment.

The company’s prototype production method can make sheets roughly 1 metre by 3 metres, but it hopes to be able to make bigger sheets within a year or so. The company can also make nanotube thread by spinning nanotubes during chemical vapour deposition, instead of simply letting them settle.

Improving production

One problem ahead is how to characterise the properties of the material so that engineers can incorporate it into future designs.

David Lashmore, the company’s co-founder and chief technical officer, says the textile is seven times stronger than steel of the same weight. But determining how properties such as strength and conductance will change when the properties of the nanotubes used are altered is a complex task.

Nonetheless, various organisations are eager to test the company’s product. The US Army’s Natick Soldier Center in Massachusetts, US, which part-funds Nanocomp, hopes to use the textile to reduce the weight of bulletproof armour and make it better at resisting heat. Antoinette also suggests that aerospace companies might reduce the weight of aircraft by replacing conventional wiring with nanotube threads.

John Hart, a nanotechnologist at the Massachusetts Institute of Technology in Cambridge, US, says the work is impressive. “It’s important to scale the properties of nanotubes,” he told New Scientist. “Nanocomp is the first company to produce a competitive textile and yarn that does that.”

But Hart believes the company has plenty of work ahead in ramping up production to commercial levels. “They’ve got to go from making a few kilograms a year to many tonnes,” he says. “There’s a long way to go.”

Sabine Münch

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Designer Sabine Münch has created some luminescent pieces for her show at the fashion-department of Berlin’s FHTW. Every dress sports a patch of Luminex – a glowing fiberoptic textile which can be cut, sewn and folded like ordinary fabric.

More photos on Flickr

Electro-textile kit

0crafttty.jpgLeah Buechley believes that fabric circuits don’t have to mimic the look of traditional PCBs. She laser cuts a circuit board out of conductive cloth and turns it into a washable, easily-interfaced miniature cloth computer. Each patch contains a surface mount (SMT) ATmega8 microcontroller and an SMT switch, LED and resistor.The construction kit was designed to empower novices to work with electronic textiles; each patch functions as a stitchable Arduino.

Funny video highlighting some of Leah’s works.
Via edgy product.

The Smoking jacket

The Smoking Jacket, by Fiona Carswell, has a built-in pair of lungs on the front that act as an iconographic “warning system”. The polite smoker can blow the smoke into a “container” at the collar, in order to avoid blowing it in the faces of people around them. The smoke then filters into a set of see-through lungs at the front of the jacket. Over time the lungs, which have an air-filter back, should darken from cigarette smoke.

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I asked Fiona to explain me how it works: “When wearing the jacket, the smoker exhales cigarette smoke into a one-way air valve in the collar, trapping it in. The smoke is then channelled through some tubing to a pair of plastic lungs on the front of the jacket. Inside the lungs is air-filter material which darkens to a brownish stain after repeated exposure to smoke.

The lungs aren’t completely airtight, so the smoke will eventually seep out, allowing it to be used many times.”

So how did you get the idea? “My inspiration was not to change people, but to see if visceral, comic information displays could cause self-awareness and reflection in a way that literal, numerical displays can’t.

As it turned out, some smokers loved wearing the jacket, and wanted to wear it even when not smoking. However, as soon as it started to darken, that was the point at which there was a disconnect and they couldn’t reconcile feeling pride in something that other people thought was ‘gross’.”

The jacket is part of a series of similar ideas involving visceral, absurd information displays such as the Malignant Mole Bikini.

Fashio accessory with added solar power

Created by Elena Corchero, we will become silhouettes is a collection of fashion accesories that explores delicate ways of incorporating organic solar cells into textiles in which technology meets tradition. The pieces are charged while used outdoors during the day. When brought indoors in the evening they transform into a decorative ambient light display for the home, powered only by energy stored earlier.
Electronic components like solar cells, resistors, and LEDs are integrated directly into the textile and wired together into working circuits using conductive thread. Organic prints and embroidery motifs recall endangered birds.

Via Cati Vaucelle.

Clothing to block flu, colds

Would you like a coat that can snatch viruses out of the air before they can give you a cold?How about a shirt that eats smog, letting you breathe clean air? Or a dress that destroys harmful bacteria and even protects you from toxic gases?

And wouldn’t it be nice if you never had to wash your duds again?

Well, guess what? Scientists and engineers and a clever design student at Cornell University have come up with clothes that do all of that and more.

“Initially we were just doing this for fun,” said chemical engineer Juan Hinestroza, who specializes in fiber science. But as soon as a couple of outfits designed by Olivia Ong hit the runway during a fashion show at Cornell, it became a lot more than just fun.

Protective Clothing Could Be Priceless, Literally

“We didn’t think this was going to make a big noise, but it has,” Hinestroza said. He’s already been called in to brief the military on the project, because clothes that protect against all kinds of poisons could be priceless during chemical or biological warfare.

Unfortunately, at this point priceless is pretty much where it stands. The two outfits created by Ong cost thousands of bucks, but once the technology is perfected that should come down.

The garments are unique in that they are coated with microscopic nanoparticles designed to capture viruses and bacteria, but you wouldn’t know that if you just looked at them. They look like glitzy outfits that expand the realm of “functional clothing.”

The project began when Ong, who will graduate in December, approached Hinestroza with what he first thought was a “crazy idea.” Ong said that she was familiar with nanotechnology and that she wondered whether it could somehow be incorporated into her fashion line, which she calls Glitterati. The idea sprang from the years when she lived in Los Angeles and had to breathe all that smog.

Inspired by Smog

“There’s a lot of pollution and smog, and I thought it would be interesting if we could use technology and clothing to prevent it,” she said. So she took her request to Hinestroza’s lab.

Out of that came what Hinestroza calls a “personal air purification system,” but he took it much further than Ong had asked.

Now, Hinestroza is working on nanoparticles that can decompose gases, like ozone, thus truly reducing the smog. And he’s even produced colors without the use of dyes, by creating nanoparticles that are just the right size to reflect the desired color.

The trick, he said, is to use nanoparticles that are about the same size as the viruses and bacteria he wants to capture.

“You wouldn’t try to kill a mosquito with a gun,” he said.

The particles he uses are a mere five to 20 nanometers in size. A nanometer is one-billionth of a meter. They cling to the surface of the cotton fabric because the particles and the fabric have opposite electrostatic charges. The particles are metals that can recognize specific viruses or bacteria, and thus trap them.

Silver, for example, is a natural antibacterial agent.

Particles Smaller Than Light Waves

The particles are much smaller than a wavelength of visible light, which averages around 400 nanometers, so they can reflect only part of the light spectrum, thus producing colors with the precise wavelength that matches their size. For now, that means red, blue or yellow.

So when Ong joined the team, she didn’t have all the colors she would normally use in her Glitterati.

“They pretty much told me what I was going to get,” she said.

So she plunged in, fighting a two-week deadline to get the garments ready for the fashion show.

“The first time it was really a mess,” she said. “I had to use the fabric they already had in the lab, and it came out splotchy.”

The second time, though, was a charm. The denim jacket has material coated with nanoparticles strategically placed around the neck, on the ends of sleeves, around the hem, and on a hood and scarf. The dress is coated around the neck and on the sleeves.

Not sure how they would show at New York Fashion Week, but to a science writer, they look smashing.

And it’s not over yet. Hinestroza has gotten into the flow now, and he’s looking toward the future. He wants to come up with a way to move the particles around on the fabric, rearranging them so that he can change colors.

“So you could go to the office with a blue shirt, and you have a party at night and you don’t want to go home,” he said. “You supply an electric field [thus moving the particles] and your shirt becomes black and you can go to your party.”

Sound fabulous? Hinestroza admits that’s a ways away right now. But give him a couple of weeks.

And what’s that bit about never needing washing? The size of the particles makes it harder for the fabric to absorb stains, the scientists say, so there’s less need to wash the garment.

But if that catches on, maybe Hinestroza’s lab ought to come up with a nanoparticle that captures odors.

Via ABC.